All this is intelligently scripted by Edward A. Anderson (a maiden effort) and directed by Michael Radford with a crisp, unostentatious Eye; the cold interiors of the Lon Di headquarters, generically oppressive on first sight, take on a nuanced familiarity as the place where, for the most part, Laura Quinn spends her life. Demi Moore--scarlet Lips in a black-and-grey world--admirably catches Laura's not-quite-smothered ambition and frustration without breaking her cover, as it were. Michael Caine couldn't be better as Hobbs, an invisible Man in plain sight (how many viewers fail to notice his first appearance in the film?); he's the master of his trade, but you knew that. There's a framing story, set more or less in the present, which seems to be an obligatory bow to feminism but sets up a tease or two of its own, then adds yet another twist to the proceedings.
Monday, July 13, 2009
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